THE BAD BEATS Record Release party with THE VAMPIRE BATS and HERB & THE HUMANS will be “Off The Hook”!

Off The Hook

Vancouver’s best garage punk band has just released their second album! The BAD BEATS “Off The Hook” will be available on all formats courtesy Germany’s SOUNDFLAT RECORDS. 12 blistering tracks of fuzz and organ, the album consists of mostly originals but also features covers of The Sparkles classic “Ain’t No Friend Of Mine”, a Townes Van Zandt song and the title track which is a reworking of “Off The Hook” by the early Stones. Vocalist Cam Alexander injects a soulful feel into these straight ahead rockers. The LP artwork is by the legendary Darren Merinuk. You can check it out here on the BAD BEATS bandcamp…

BAD BEATS BANDCAMP

SOUNDFLAT RECORDS

Bad Beats Group

Early Bad Beats line up.

Hair Twins

Bloody Betty and Marc Godfrey (Vampire Bats). Photo Phaelen Kuehne.

 

For fans of dark, dangerous rock ‘n’ roll, The BAD BEATS record release party at The Railway Club, Saturday April 6th, will be where it’s at! Joining them will be HERB & THE HUMANS from Regina and the popular spectacle that is the VAMPIRE BATS. Marc Godfrey’s VAMPIRE BATS will be blasting through songs off their 2013 debut “The Cemetery” EP. Shane Davis, ex-TANKHOG will be joining the line up as second guitar and once again Bloody Betty will walking on for a few songs. Here’s a live clip from Pub 340 of the VAMPIRE BATS and BLOODY BETTY performing “Vivienne Westwood”…

Join the event here… BAD BEATS RECORD RELEASE PARTY!

VAMPIRE BATS BANDCAMP

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Friday The 13th VAMPIRE BATS w/ BLOODY BETTY * MOMY FORTUNA * CHARLIE MONROE * Latex Alchemy Photo Gallery!

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The Vampire Bats, Betty & Marc engaging the crowd. Photography: Latex Alchemy.

On Friday July 13th, Stable Genius Productions brought The Vampire Bats w/ Bloody Betty, Momy Fortuna, Charlie Monroe and DJ Dan (From the Parish) to Pub 340 in Vancouver, B.C.  It had been over a year and a half since the last Vampire Bats show. Frontman, Marc had been back in Los Angeles (The city he had previously called home for most of the 2000’s) wrangling control of Secret Agent Records away from the label’s  U.S. Distributor.

Marc

Marc Godfrey

For the packed, hot and sweaty house, Friday the 13th, ended up being a riotous night of unhinged dark Punk rock n’ roll. The show marked the stage debut of glam-grunge beauty, Charlie Monroe. The pitch perfect post punk witches brew of Momy Fortuna (Brandy Bones, Emily Bach, Binna Nancy Mendoza & Katherine Bastow).  A rare “Gorelesque” act by the now notorious Bloody Betty and finally the Classic “80’s style” post punk of the enigmatic Vampire Bats with a set that showcased their infectious anthem writing talents! The Vampire Bats line up is Marc Godfrey,  Thorsten Abel on bass, Erol Sora on guitar, Taylor Little on drums and Damion Gray on Keys.

Vampire Bats

Back In The 604

Latex Alchemy is a Canadian alternative fashion and nightlife photographer. Published here is a selection of their Vampire Bats photo gallery, free from the Facebook censors with Bloody Betty‘s more provocative shots. You can enjoy their full set in Abort Magazine. (Link at the bottom of this page)

Bloody Betty

Pretty Like Drugs

CHARLIE MONROE BAND by Latex Alchemy

1. Charlie Monroe
2. Charlie Monroe

MOMY FORTUNA By Latex Alchemy

5. Brandy Bones
6. Keyboard
7. Drums
8. Whole band

THE VAMPIRE BATS & BLOODY BETTY By Latex Alchemy

3. Vampire Bats
1. Vampire Bats
2. Vampire Bats
4. Vampire Bats
5. Marc Godfrey Vampire Bats
6. Bloody Betty Vampire Bats
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7. Bloody Betty
8. Marc Godfrey & Bloody Betty
9. Marc Godfrey Bloody Betty Vampire Bats
10. Taylor
11. Betty Bathory Vampire Bats
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12. Betty Bathory Vampire Bats
13. Bloody Betty Vampire Bats

LATEX ALCHEMY FACEBOOK PAGE

The Vampire Bats w/ Bloody Betty * Momy Fortuna * Charlie Monroe * by Latex Alchemy in ABORT  MAGAZINE

BUY VAMPIRE BATS feat. BLOODY BETTY “TWO’S A CROWD” Here!

Betty Cover

The Return Of THE VAMPIRE BATS on FRIDAY THE 13th with BLOODY BETTY, MOMY FORTUNA, CHARLIE MONROE & DJ DAN from the Parish at PUB 340!

Full Bats

It’s been over a year since Vancouver has gotten to experience a VAMPIRE BATS show, but finally thanks to Stable Genius productions, they will be hitting the Pub 340 stage on Friday July 13th. Lead singer, Marc has been spending more and more time down in Los Angeles drunk driving with his celebrity friends and neglecting drunk driving with his Northern ones. So hopefully this show makes up for the neglect.

Join the Event here…

FRIDAY THE 13th!

Bats Momy Foruna

Of course, no VAMPIRE BATS show would be complete without bringing up Bloody Betty for a few songs and as a special treat she will be performing one of her Gorelesque Acts in honour of Friday the 13th.

Marc & Bets

Vampire Bats Marc & Betty at Pandora’s Box Rehearsal Space. – Photo Phaelen Kuehne.

The Legendary BRANDY BONES will be playing with her new project MOMY FORTUNA. Named after the witch from ‘The Last Unicorn” Momy Fortuna is Influenced by the soft spot for the romantically melancholy and the invocation of the beast within us. The most fitting descriptions for Momy Fortuna’s sonic atmosphere are dark wave, ritual dark ambient, Gregorian chanting, neoclassical, even delving into black metal.

MOMY FORTUNA Bandcamp

Momy Foruna Band Pic

Momy Fortuna.

Brandy Bones

Brandy Bones.

DJ DAN from the Parish will be soundtracking the night! It would probably be in your best interests to join their Facebook Group…

The Parish DJ Night

And of course we’re incredibly excited to be the event that debuts the Charlie Monroe Band. Fronted by the Gothic Glam bad girl, Charlie Monroe, they’ve been hard at work building an online following with their D.I.Y videos and Instagram promotional savvy. They are a dark mix of Grunge, Goth and Glam and they have a bubble machine!

CHARLIE MONROE Website

Charlie Monroe single

Charlie Monroe demonstrates the correct use of a hand saw. Photo Latex Alchemy.

Marc dropped by the UNSTABLE IDIOT RADIO show recently to talk about the night.

Marc & Bowes

Marc Godfrey with an Unstable Idiot.

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Best Of Bad Vibes Radio On YouTube!

Bad Vibes Collage

Broadcasting on CFRO 100.5 FM from 2015 – 2016, BAD VIBES Radio featured interviews with Vancouver’s brightest and most talented scene makers! Hosted by Marc Godfrey (Vampire Bats), Mark Bignell (Radio Bandcouver) and Vanessa Turner of Petroleum By Product (Til she dropped out to pursue her real job!) BAD VIBES was a bi weekly show, broadcast every second Wednesday and was often the first place new local bands got radio airplay. Mark Bignell continues this indie friendly programming with his Radio Bandcouver show.

Collected here on a easy to use YouTube playlist is an entertaining cross section of shows from our run! There’s more that will be added at a later date, til then this should be more than enough to keep you occupied! Interviews with Black Magique, Bloody Betty, Ron Reyes (Black Flag/Piggy), Devil In The Wood Shack, Tristan Risk, Mik Ireland (Crystal Pistol), Sally Dige, Cobra Ramone, Joseph Blood (Bend Sinister), Paul Anthony, Stephen Hamm (Slow/Canned Hamm), Pete Fry (Green Party), Donal Finn (Flash Bastard), Calamity Kate Kroll, Jason Corbett (Actors), Gerry Jen Wilson (JP5), Combine The Victorious, Robert Dayton (The Canadian Romantic), Bruce Wilson (Tankhog/Sunday Morning), Doug Donut (Death Sentence), Rebecca Russell (Lick The Pole) and starting with Neil E. Dee (Danger Thrill Show) on international sword swallowers day…

 

THE RAILWAY CLUB CLOSES! A Definitive Guide To Remembering Railway Club Culture.

1. The Modernettes Railway Club

John & Mary of the Modernettes. Photo by Alex Waterhouse-Hayward.

After 84 years, Vancouver’s Railway Club finally closes it’s doors for good! There have been the usual eulogies in our local media bemoaning the loss of the venue in terms of “one less place for musicians to play”. I feel this misses the point and neglects to acknowledge the true function of the Railway Club. The Railway Club during it’s heyday in the 80’s and 90’s served as the social network for the Vancouver Music scene. What was going on in the back room was just as important as what was happening on stage. It was the heart of the Vancouver Music Scene located in the heart of the city. The Railway served as a meeting place and hang out, during the pre-internet years.

Before Mark Zuckerberg invented the internet, you had to carry around your “dick pics” in your wallet! And “wallets” were what you kept your money in before Paypal! Back then you delivered your “status” in person to a table full of friends over a pint of beer. Basically, if you wanted to be part of a social network, you were forced to go out and socialize. Bands were formed at the Railway and band members were fired there. Plots were hatched, gigs were planned and video treatments were written on the back of beer coasters! Before the internet transformed our social lives into something more illusory and actually anti-social.

2. Drinking At The Railway Club

Railway Club table at the height of the 90’s. From Left; Mike Davies (The Enigmas), Karen Porter (Film Maker), Flash Action (Producer), Jim Cummins (Artist/Musician) and photographer Nicole Stef.

There are actually plenty of venues in Vancouver for bands to perform, more than enough to service the shrinking numbers of patrons actually interested in live music. Vancouver over the last 20 years has been suffering a Cultural Crisis due to it’s changing demographics and unbalanced economics. As baby boomers and Gen X’ers grow older, they disappear from the scene and traditionally their vacant bar stools would be re-occupied by the next generation… however Millennials have been disappearing too! Vancouver is now the worlds 2nd most unaffordable city! Year after year, we’ve been experiencing an exodus of young people, due to the combination of lack of opportunity and the insanely high cost of living. The side effect of all these people leaving is the irreversible decline in our Arts.

3. Vampire Bats The Railway Club

The Vampire Bats had their video release party for “Baby Libertine” at the Railway. The video was a duet between Marc and Pure’s Jordy Birch.

Vancouver lost 1,571 people between the ages of 20 and 30 in 2013, more than double the 700 that left the year before. Vancouver’s unrelenting unaffordability, doesn’t just disenfranchise youth attempting to make a start, it also shows no mercy to Business owners attempting to bolster our economy. The operating costs of running a small club like the Railway kept increasing over the years, while profits continued to slide. According to current owner Steve Silman, “Unfortunately, the long-term and persistent combination of relatively high expenses, in particular rent, as compared to business receipts has left the business unable to continue.”

Rent for the Railway had ballooned to around 17 000 a month.

4, Big John Bates

Railway Club gig poster, The ceiling train and who let Mark May into the back room? 

Vancouver is only going to get worse for Culture (or lack of it!). Rents will continue to rise, Artists will continue to flee, businesses will continue to fail and our Politicians will continue to give breaks and support to those who least deserve it. Vancouver will probably be a pretty vapid and artless place in 10 years, honestly I can’t afford to stick around to see it! They say nostalgia is just another form of depression, but soon that may be all we have. So for the time being at least, Here is a look back at some highlights over the last 40 years. A definitive guide to remembering… RAILWAY CLUB CULTURE!

1.THE NERVOUS FELLAS

Before the Punks started hanging there, it was a rock a billy gaff! Formed around the time of the 80’s rock a billy revival, The Nervous Fellas have been the cities most stubborn and best true rock a billy band. They’ve seen trends come and go, and they ignored them all! Fronted by Butch Murphy, the early line up also boasted Rockin’ Ron on the stand up bass. Now the band members can be found playing in dozens of off-shoot projects. They epitomize Railway Club rock n’ roll!

5. Butch Murphy Nervous Fellas

Butch Murphy and the Nervous Fellas in action!

2. THE MODERNETTES

John Armstrong, front man of the legendary Modernettes would often be found holding court in the back room of the Railway. By the 90’s he was a music writer for the Vancouver Sun which gave the paper some much needed credibility. Before that, The Modernettes played the Railway over 30 times and released the best album of the first wave of Vancouver Punk. “Teen City” is a true classic from start to finish, the song writing was more developed than many of their contemporaries. A track like “Confidential” was clearly light years ahead of D.O.A.‘s “Disco Sucks”. Of course, these days the band has more fans in Japan than they do at home! He also wrote a memoir about his time in the band and the early years of the Vancouver Punk scene, “Guilty Of Everything”. Read it, there’s a version available in Japanese.

6. The Modernettes Teen City

Classic vinyl that often goes for around 150 bucks on ebay! John Armstrong’s book.

3. SHINDIG!

Before everybody had a recording studio on their laptop… you would have to pay big money and record in an actual studio! SHINDIG was an annual battle of the bands that gave away recording time as a contest prize. Established 30 years ago by College Radio station CITR and their often unreadable magazine, DISCORDER, Shindig has been located at the Railway Club for over 20 years now. Nobody who won ever went on to do anything in music… kinda like those TV contests like “American Idol”.

 

7. Dandi-Wind-at-SHiNDiG2004by-Ben-Lai-

Dandi Wind performs at Shindig. Film maker and Spores front man, Danny Nowak.

4. BRITT HAGARTY

Hey, with author John Armstrong as well as various writers for local publications spending quality time drinking their troubles away, we can make a claim that the Railway Club had a bit of a literary scene going on. Britt Hagarty was a talented but troubled writer who used to bring his album collection to the club to sell in order to raise money for heroin. In the mid-90’s, I bought some pretty cool records off him. He ended up dying tragically in a “hit and run” incident in 1999. Fortunately he managed to write one of the great rock n’ roll biographies before that. “The Day The World Turned Blue” on singer Gene Vincent is a must read book for fans of early rock n’ roll. The Railway was the book’s true muse.

 

8. Britt Hagerty Gene Vincent Book

Britt mid-eighties. The 1st edition of Gene Vincent biography.

5. NO FUN XMAS

One thing that was consistent during Railway’s 89 year existence was No Fun‘s Xmas show! NO FUN are a duo that consists of David M. and Paul L. and  they dubbed themselves “the Beatles of Surrey”… which would probably be confusing to people from Britain. Every year they would bring their Xmas show to the Club and hand out “Gorgo” to needy children. Feed the world!

9. No Fun Railway Club

Railway Gals! Nicole and Coco mid-nineties. No Fun Xmas.

6. THE SCRAMBLERS

The Scramblers were the perfect Railway Club Frankenstein’s monster. They band members consisted of veteran’s of the rock a billy and Punk scenes, coming together to create a hybrid of those two genres. The Scramblers rose to the top of the local club scene in the late 80’s, early 90’s and came close to breaking out when they signed to Penta Records. Sadly, Penta Records ended up being a tax write off for Bruce Allen and their debut album was shelved. Lead singer, Howard Rix passed away last year. He probably played the Railway more times than anybody else, hosting Blues jams and fronting much loved groups like the Stinging Hornets and G.I. Blues. Howard was truly one of the more unforgettable voices in Vancouver rock.

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Howard Rix. The Scramblers posthumous release.

7. The Spiritual Home To The Stand Up Bass!

Actually, The Railway was the literal home to the stand up bass. Now where are these bands gonna go? The Roxy?

11. Brandy Bones

Brandy Bones of the Big John Bates band!

8. K.D. LANG

Without at least one success story… a music scene seems a bit pointless. Well we had one! And she started at the Railway! When young K.D. first moved here from Consort, Alberta (Population 407) her first shows were at the Railway. This became a never ending talking point. “Hey did you know K.D. Lang got her start here?” has been a sentence muttered by unimaginative conversationalists for 40 years now.

13. K.D. Lang Railway Club

K.D. before she lost the glasses. Did you know that Rich Hope got his start playing the Railway Club?

9. RAY CONDO FOREVER!

By the 90’s the undisputed King of Western Swing called Vancouver his home! Ray was a true denizen of the Railway Club. He was prolific in recording and touring his music all around North America but never became more than a cult success before his tragic death in 2004. Artist 12 Midnite‘s neon tribute to Ray hung at the Railway. Besides being a real nice cat, Ray Condo‘s music was the real deal!

12. Ray Condo Railway Club

Neon Artwork by 12 Midnite. Ray Condo.

 

Tune in to CFRO 100.5 FM Weds April 20th for RADIO BANDCOUVER’s special Railway Club Episode! 3:30 – 5:00 pm.

"Wett Stilettos live at The Railway Club, Vancouver BC, August 3, 2014."

Wett Stilettos live at The Railway Club, Vancouver BC, August 3, 2014.

RON REYES Interview! On Penelope Spheeris’s DECLINE OF WESTERN CIVILIZATION PART 1, BLACK FLAG and the PIGGY Tour!

1. Batzine black-flag

On the 3rd BAD VIBES Podcast, Vampire Bat, Marc Godfrey with the help of Dave Briker (Some Product/Platform) talk to Ron Reyes about the re-release of Penelope Spheeris‘s “The Decline of Western Civilization Part I “, Black Flag, The Early L.A. Punk Scene, The Piggy tour and try to make sense of 35 years of West Coast music history!

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 The great rock n’ roll music documentary boom didn’t start until the noughties. It kicked off in 2000 with Julien Temple’s brilliant Sex Pistols film “The Filth And The Fury” and once the floodgates of nostalgia swung open, year after year, we’ve been inundated with a plethora of truly high quality music retrospectives! All this happened as music itself went into “decline”. So far, we’ve spent most of the new millennium looking backwards at what happened in the last century! Oddly before the start of the 2000’s, during rock n’ roll’s actual lifespan, it was slim pickings! Many unsuccessful attempts were made to represent music on the big screen. In the 50’s and 60’s rock n’ roll films were shoddy affairs, usually Juvenile delinquent B-Movies with a morality tale which you had to sit through before you got a glimpse of a Gene Vincent or Little Richard performance. Due to lack of foresight, directors often chose to make cheap exploitative cash-ins, that often trivialized or patronized their subject matter or completely failed to grasp the significance of the music they set about to exploit in the first place. Looking back, rock n’ roll films were often only “green lit” in order to earn a quick buck from a youth market that most movie executives couldn’t begin to comprehend. Movies like, “Rock N’ Roll High School” or “The Girl Can’t Help It” are redeemed only by the quality of the artist’s music that was featured in them. By the late 70’s, a tradition of “rocksploitation” was firmly entrenched, but every now and then a true classic would manage to slip through (Like Quadrophenia or A Hard Days Night). Rock n’ Roll tended to fare slightly better when film makers attempted to view their subjects through a documentary lens, The BeatlesLet It Be“, Dylan‘s “Don’t Look Back“, Scorsese‘s masterful “Last Waltz“, The Who‘s “Kids Are Alright“, the Rolling StonesGimme Shelter” and “Cocksucker Blues” were all low budget masterpieces that were made under rocksploitation criteria but ambitiously attempted to transcend the limitations of the genre. However compared to the documentaries that have come out over the last 15 years, all those classic films look aged and feel downright primitive! In my estimation, one of the greatest rock n’ roll films from that era ever made was, Penelope Spheeris‘s “The Decline of Western Civilization Part I “!
2. Ron PodRon hanging in the Church, Jealous Again EP, The Decline Trilogy
Released in 1981 The Decline of Western Civilization Part I was intended to be a Roger Corman quickie, It documented the birth of L.A.’s vibrant Punk Scene, and introduced an unsuspecting world to the singular talents of the Germs, X, Black Flag, FEAR and Circle Jerks­ and gave Reagan era audiences their first exposure to slam dancing and mosh pits! Punk Rock was still a folk devil at the time and the film did absolutely nothing to reassure conservative parents confused and concerned with this alarmingly nihilistic new fashion and music trend spreading amongst their children. Punk was the culmination of all the rebellious youth movements that had preceded it, deeply anti-authoritarian, truly dangerous and most frighteningly… uncontrollable! What the film captured was a youthful music and art scene that was on the rise and staunchly independent. A scene that had broken away with all the entertainment traditions that came before it. Right under the nose of the Hollywood entertainment system, kids managed to create a new incomprehensible subculture of their own.
3. Decline Rd CrossThe original soundtrack album on SLASH, Red Kross promo pic.
tlc_spheeris_edward_colver_decline_open01Riot on Sunset strip.
To add to the trepidation and hysteria felt by the older generation in regard to this oddly attired new subculture, the film’s premiere was a messy one. The LAPD dispatched 300 motorcycle cops, to control the hordes of Punks who turned up on Sunset Strip. After a near riot ensued, Daryl Gates, the city’s notoriously conservative, corrupt and racist police chief, wrote a letter demanding that the film never be shown in the city again! This was the start of a long violent turf war ,between the LAPD and Punk… unfortunately for Black Flag the venues the band played became the Cops favored battlefields. Looking back now, the film still stands out. It was a document of the last true Art for Art’s sake explosion to hit the music world. Interestingly, just 7 years later, in “The Decline of Western Civilization Part 2 – The Metal Years” it’s back to business as usual for the Hollywood Entertainment factory. All the power that the corporate music world had lost in 1980 had been regained. It’s evident in the contrast of attitudes between the bands and fans in the two movies. Everyone in the first film come across as enigmatic and heroic in comparison to the sad fame hungry sunset strip glam rockers in the second.
Decline_1_02_560_265_c1Eugene Tatu “I hang around by myself a lot.”
For years, “The Decline of Western Civilization Part I ” was a underground cult favorite. Just like any rapper can instantly give you 20 “Scarface” quotes, a true Punk (Who isn’t a Poser!) should have no difficulty rattling off a “Eugene” imitation or doing the Kickboy Face speech about “New Wave”. The Decline has stood the test of time as an important and influential moment in rock n’ roll cinema. One of it’s accidental “stars” was a young Ron Reyes. Ron was the second vocalist for Black Flag, he replaced Keith Morris who had just left to form the Circle Jerks. Black Flag and Circle Jerks marked a move in direction away from the Hollywood scene which carried more art school pretensions and had it’s roots in 70’s glam. The new “hardcore” was more of a suburban voice, and as the 80’s progressed they would be at the forefront of a scene that would slowly spread across North America and eventually break into the mainstream 10 long years after the Decline‘s release. NIRVANA was the band that finally broke “American” Punk. A telling testament to the influence of the original scene and movie, was when Kurt Cobain drafted  Pat Smear of the Germs into Nirvana as a second guitarist, once NIRVANA had become successful.
4. Batzine! Crash BangCRASH BANG CRUNCH POP poster, Decline Interview segment, Ange Trash!

Ron Reyes was in Black Flag at a very crucial stage of the bands history. Their inclusion in the film, featured a blistering performance and a tour of the bands legendary practice/party pad “the Church” and was essentially the first real exposure the band would receive. It raised the bands profile enough to allow them to tour. It was on one of those early jaunts up the west coast that Ron discovered Vancouver, Canada. Before leaving Black Flag, he contributed vocals to their classic Jealous Again EP and played drums on the Redd Kross debut. Ron continued with various projects based out of Vancouver, where he’s been an integral player in the cities indie scene since the 80’s. In 2011, Ron was again called upon to take part in a punk rock documentary, this time around in Susan Tabata‘s “Bloodied but Unbowed“, which looks at the early Vancouver scene.

6. Black Fag

Most recently, Ron took time off from his current project PIGGY to take part in the ill fated BLACK FLAG reunion. In 2013, Greg Ginn decided to take some recordings that he and Ron had been casually collaborating on and make a BLACK FLAG album out of them. Suddenly, the band was out on tour again supporting “What The…“. However, Ron found himself dragged into a messy situation as Greg Ginn battled it out with his estranged former band members also touring under the name FLAG. The whole confusing affair played out in the music media, and Ron dramatically exited the band while they were on tour in Australia. Back in Vancouver, with no more distractions coming from the SST crowd, Ron re-focused on PIGGY who have just debuted a video, compiled a limited edition CD and are currently on their first West Coast Tour!

Piggy Tour

PIGGY ON FACEBOOK!

Penelope Spheeris‘ “The Decline Of Western Civilization” deluxe box is out now! “The Decline Of Western Civilization” (1980), “The Decline Of Western Civilization Part II: The Metal Years” (1988) and “The Decline Of Western Civilization Part III” (1998), a 40-page book containing an essay written by rock historian Domenic Priore (“Riot On Sunset Strip: Rock ‘N’ Roll’s Last Stand In Hollywood”), rare stills, and bonus features, including extended interviews, a commentary recorded by Dave Grohl.

5. Batzine Piggy

The Sex Pistols “Anarchy In The UK” Credit Card – Filthy Lucre or Cash for Chaos?

3. Anarchy Card
Almost 40 years have passed since the release of “Anarchy In The UK”, the Sex Pistols groundbreaking first single, and Virgin Money and Master Card feel the time has come to dilute the band’s original message and market a collectable credit card with a variable 18.9% APR . Spokesperson, Michele Greene said it was “time for consumers to put a little bit of rebellion in their pocket” and “The Sex Pistols challenged convention and the established ways of thinking – just as we are doing today in our quest to shake up UK banking.” WTF? Really? Is banking hip and ready to shake things up? Are they suddenly on the side of the working class and have our best interests in mind? In light of everything that has happened since the financial meltdown in 2007, this seems to be pretty vacant thinking. Hasn’t it been the collusion of Banks and Politicians that has obliterated the “working class” and left us with “working poor” instead? If Michele Greene had bothered to look at the lyrics of “Anarchy In The UK”, she might have noticed that the song was a declaration of war against everything she stands for!

Aligning “Anarchy” and “Sex Pistols” with a financial lending institution is nonsensical and deeply incongruous. Unless of course, the card is literally for Anarchists and it’s purpose is to offer a line of credit to individuals who wish to buy bombs in order to wage a class war against capitalist bankers, the bourgeoisie ruling class and the royal family! Anarchist, Pierre Proudhon famously stated that, “Property is Theft.” so I don’t think he would have approved of the variable 18.9% APR or even the idea of making any payments at all! Mind you, I’m sure the organizers of the 1920 bomb attack on Wall Street would have loved to have had a credit card… perhaps with the extra funding they wouldn’t have missed J.P. Morgan their target. 2. Malc Sid Johnny and Cop Disappointingly, the card isn’t espousing anarchy but aimed at a demographic creeping into their 60’s who’ve long forgotten the values and ideals of their youth. The card is an inept attempt at historical revisionism that trivializes the phrase “Anarchy In The UK” into essentially meaning the same thing as Miley Cyrus‘s “Party In The USA”. It’s not a tribute… it’s utter bollocks. A lot has happened to tarnish the Sex Pistols credibility, Lydon doing adverts for butter, Cook playing drums in Bananarama, and their 1996 reunion tour which was an obvious cash grab, but it made sense. Punk Rock’s righteous idealism died the day that, long time Pistol fan, Kurt Cobain blew his brains out… after that it was Green Day‘s Dookie and Modern Rock Radio. The 90’s music industry was all about taking whatever you could get and getting as much as you could take! Thanks to the self serving P.R. and delusions of their manager Malcolm McLaren, who cast himself as the mastermind behind the band while neglecting to keep watch of their business, the Pistols spent 10 years in the courts trying to retrieve their unpaid royalties. Malcolm also dishonestly created the misconception that they were nothing more than a prefabricated boy band. The only thing the Pistols had in common with boy bands was their youth (Johnny Rotten was 19 when he wrote the song). “Anarchy In The UK” is not an easily digestible pop throw away. It’s a song with a huge statement, a huge message and huge implications. The only statement their contemporaries the Bay City Rollers could ever muster was “Shang A Lang”. 5. EMI SID RIOT PUNK On Friday, Nov 26 1976 EMI Records (Not Virgin.) unleashed “Anarchy In The UK” on Britain causing instant furore among the country’s establishment, due to the blatant and unprecedented language in the song being employed to attack them. Two months later the band would appear on the Bill Grundy show. The infamous telly incident that thrust them into the nation’s tabloids. Overnight, the Sex Pistols were Britain’s public enemy No 1… the “Anarchy” single however had only just made it to No. 38 on the charts before it was pulled and the band found themselves sacked by EMI. “Anarchy In The UK” was a dangerous record and the ruling class reacted with numerous attempts to censor the band. The single was the musical equivalent of A Clockwork Orange! In 1976 there was nothing to compare it to… it was an influential record that opened the floodgate to the 80’s and beyond. Without it there would have been no Clash or U2 or  Replacements or Duran Duran or Oasis or Libertines or Nick Cave or Nirvana. Actually there is no artist or band worth mentioning in the 40 years that followed the release of Never Mind The Bollocks that wasn’t influenced by the Sex Pistols! “Anarchy In The UK” was a truly revolutionary song, that called for a revolution and actually achieved it’s goal. 4. Biggs Bank Lads

The most ironic thing about all this is, due to the firmly entrenched class system of 70’s Britain, none of the Sex Pistols at that time could get a bank account, much less a line of credit. Steve Jones and Paul Cook robbed everything they needed, Johnny Rotten took speed to stave off hunger pangs and Sid… well, the night that Nancy got stabbed, he was carrying 5000 dollars in cash because he still hadn’t managed to get a bank account and the money was mysteriously stolen. Sid Vicious wasn’t exactly “credit card” material.
“Anarchy” was an important song… no one would be talking about it 40 years later if it wasn’t! “Anarchy In The UK” isn’t about reckless spending and pocket book rebellion that you can’t actually afford. Back when the song was on the charts, the number 1 was “Under The Moon Of Love” by a band called Showaddywaddy. Never heard of it? Me neither. To truly comprehend how offensive and inappropriate this Master Card/ Virgin Money venture is, one simply needs to take a quick look at the “Anarchy In The UK” lyric sheet. Does this sound like a quest to shake up UK banking? So…

Right!

now ha ha ha ha ha…

I am an antichrist
I am an anarchist
Don’t know what I want
But I know how to get it
I wanna destroy passerby
(One of the greatest opening couplets in rock n’ roll, followed by a menacing threat! “I wanna destroy passerby” is pure Clockwork Orange. Essentially Mr. Lydon is saying that he’s lawless, ungovernable and espouses random violence toward innocent victims. 🙂 Now that’s how you start a song!!)
Cause I wanna be Anarchy
No dogsbody!
(Mentioning “Dogsbody” is a very class conscious lyric. A dogsbody is a servant of a servant. The lowest on the pecking order.)
Anarchy for the UK
It’s coming sometime and maybe
I give a wrong time stop at traffic line
Your future dream is a shopping scheme
(Well this verse is relevant to this Master Card nonsense…It’s about his disdain for mindless empty consumerism  and the trap of debt.)
‘Cause I wanna be Anarchy
In the city

(The “City” represented danger and excitement in the days before CCTV. The Pistols playground was an urban environment. Might as well own your streets when you can’t own anything else!)

Many ways to get what you want
I use the best
I use the rest
I use the Enemy
I use Anarchy
(Not only is Johnny Rotten a dangerous, intelligent and articulate working class youth, he won’t be patronized. This is the instruction manual part of the song. Helpful hints for others who may be interested…)
‘Cause I wanna be Anarchy
It’s the only way to be
(He’s selling it now… This Anarchy stuff is beginning to sound pretty good!)
Is this the M.P.L.A or
(MPLA fought for the independence of Angola against Portuguese colonial rule. In the 70’s South Africa intervened militarily in the bloody conflict. South Africa was supported by Western banks.)
Is this the U.D.A or
Is this the I.R.A
(70’s Britain was quite stressed out by IRA terrorism as the Northern Ireland conflict raged on. The Ulster Defense Association was responsible for murders, kidnappings, massacres and a prolific amount of sectarian violence. John Lydon was Irish Catholic. He grew up seeing “No Dogs No Blacks No Irish” signs around London which later became the title of his autobiography.)
I thought it was the UK
Or just another country
Another council tenancy
(Refers to the poverty on England’s estates and the empire’s decline. Poor housing estates have only gotten worse since the 70’s. There is now no chance of upward mobility. Those were the people rioting in 2011. They are called the “underclass” rather than working class now.)
I wanna be Anarchy
And I wanna be Anarchy
(Blatant rabble rousing… Class War, isn’t really boy band fare is it?)
And I wanna be anarchist
get pissed, destroy!

(Conclusion; The song recommends against accruing credit card debt. Suggests you destroy a bank instead.)

1. Sid for Master Card